Loss, Heartbreak, and Coming of Age Meet the Storyteller Reading Themes

[Meet the Storyteller] A Conversation with Russell Molina


russell pic

We are very privileged to have the multi-talented and award-winning Russell Molina as our featured storyteller for our current bimonthly theme here in GatheringBooks. Here is our brief tete-a-tete with one of the Philippines’ best children’s book writers.

How did your childhood influence your decision to pursue writing for children?

I’m actually a late bloomer when it comes to writing for children. Growing up, I never really had an inclination for writing. But I loved to draw and create things. I also grew up in a house that embraced and encouraged creative thinking. So I guess my foundation was solid.

When are words better than images?

When you want to tease the reader and not give everything away. Words are better when you want them to create their own pictures.

Give us three picture books that you have created that will best describe who you are as a writer.

I love surprise endings and misdirections. 3 of my books with plot twists:

TUWING SABADO (Every Saturday)

Tuwing-Sabado cover

MADYIK SILYA NI TITOY (Titoy’s Magical Chair)




Can you share with us what was the experience like on having your first book on print? What is the story behind it?

It was like seeing your firstborn! Something that came from you is finally ready to greet the whole world. It is always a proud moment (and scary too).

What inspires you to develop an idea for a possible story?

I get inspired by real life stories — the kind that I experienced during my childhood. When you think about it, your experiences offer a wellspring of ideas and insights. I also love to browse through my old picture albums. These old images provide a trigger that takes you back and relive wonderful memories. Some of my books are inspired by family experiences, my parents, my siblings, etc. And I love the idea of retelling those experiences for my daughter and for the next generation as they weave their own stories.

In connection with #5, what are some of the current things happening in our country that russell-molinayou believe has significantly affected your storyline or the themes in your narratives?

The traditional concept of a family has evolved through the years. The increase in migration, for example, redefines how we look look at roles and relationships. Absentee parents and seasonal orphans are also common nowadays and we’ve learned to cope with that. My books mirror these realities because I want the stories to be relevant.

As we move from print to digital, how do you think children’s book writing would evolve, say, 7 years from now (fast forward to 2020)?

Digital as a platform will provide more room for interaction. Readers will now have the chance to experience a story in totally new ways. Rather than just becoming passive readers, children will become co-creators — re-creating and re-imagining the stories in the digital universe. Writing as we know it now will definitely change to accommodate interactivity and collaboration. Ideas and insight though will never change. Every good story, be it on print or digital, should have those. 

How much time do you usually spend on a typical project? To be specific, how long did it take you to write the story for “Tuwing Sabado” as compared to your new book with Sergio Bumatay, “Edsa”?

Both books were challenging to write because they entailed a lot of research. It took me a month or two to write the first draft.

When you are not writing stories for children, what is your typical day like?

I work in advertising and ideas are what we sell. So I guess I spend a lot of hours cooking up concepts, mining insights and finding new and exciting things that can inspire and spark creativity.

I also daydream a lot. I think you need that when you are in the creative business. You should allow your mind to wander.

You wake up one night and find a Djinn (or a diwata) standing by your bed. You were asked to name three artists/authors across the globe that you would like to work with. Who are they, and why?

BANKSY (the graffiti artist and painter) — I would love to collaborate with him and maybe do a story mural in Manila. Imagine a story that you can enjoy while going out for a walk or driving around. That would be amazing!

BONO and U2 — Because songs are stories and I think the world needs more children’s songs.

THE GUYS FROM PIXAR — Because there are a lot of great Filipino children’s books that I would love to see turned into an animated piece.

Thank you so much, Russell, for taking the time to visit us here in GatheringBooks.

Looking forward to reading your upcoming books!

Myra is a Teacher Educator and a registered clinical psychologist based in Al Ain, United Arab Emirates. Prior to moving to the Middle East, she lived for eleven years in Singapore serving as a teacher educator. She has edited five books on rediscovering children’s literature in Asia (with a focus on the Philippines, Malaysia, India, China, Japan) as part of the proceedings for the Asian Festival of Children’s Content where she served as the Chair of the Programme Committee for the Asian Children’s Writers and Illustrators Conference from 2011 until 2019. While she is an academic by day, she is a closet poet and a book hunter at heart. When she is not reading or writing about books or planning her next reads, she is hoping desperately to smash that shuttlecock to smithereens because Badminton Is Life (still looking for badminton courts here at UAE - suggestions are most welcome).

2 comments on “[Meet the Storyteller] A Conversation with Russell Molina

  1. Pingback: [Monday Reading] A Collection of Beasts and World Monsters |

  2. Pingback: The Image of Overseas Filipino Workers (OFWs) as reflected in Philippine Children’s Literature - by Ann Grace B. Bansig and Darrel Manuel O. Marco ~

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