Since we have joined Nonfiction Monday last year, I’ve been seeing quite a number of reviews devoted to Allen Say’s Drawing from Memory and being a fan of award-winning Allen Say, I knew I just had to find this in our library so that I could own it through my review. It was difficult for me to borrow it initially since recently-published books do take their sweet time finding their way into our library shelves, but hey, patience is a virtue. And now I have this book in my hands which was just awarded the Sibert Honor this 2012 – perfect as well for our very own Award-Winning-Books Reading Challenge (sign up here if you haven’t joined us yet, it’s funfunfun!). Nonfiction Monday is hosted this week by Miss Yingling Reads.
Part Graphic Novel. Part Picture Book. Part Memoir. A year ago, we had a guest lecturer in my university, Janet Evans, who discussed the subtle differences between picture books, comics, graphic novels and the like. Allen Say’s most recent work is a perfect illustration of the blurring of those seemingly-disparate boundaries, as he also included rough sketches and lifelike drawings alongside black-and-white photographs and richly-colored pictures of Tokyo as he was growing up. I fell in love with the layout, the imageries, and the narrative style (although I must admit the book cover was pretty surprising, I’m sure they could have done better on that one). My ten year old daughter read it one afternoon and she couldn’t stop muttering ‘awww’ and going ‘oooh’ and ‘aaah’ over the illustrations and the storyline. True enough, this book did not fail to deliver. It has a scrapbook feel to it that makes the memoir feel and sound so accessible to most everyone. If I were to think about an ideal memoir/scrapbook of what my life is like thirty years from now, this is how I would like my collection of memories to appear – except for one tiny problem, I can’t draw from memory like Allen Say does.
Choosing One’s Family: An Ode to Noro Shinpei. This book is also a tribute to Say’s mentor, Noro Shinpei, an illustrious cartoonist whom Allen Say refers to as his “spiritual father.” After being continually chastised by his father for his greater interest in the arts as opposed to school work and his grandmother’s fears and anxieties about his future – Allen showed tenacity of purpose and quiet but unyielding will to pursue his passion, his art form.
This is not an uncommon story to me, particularly now that I am living here in Singapore. While there is a growing acceptance of the arts as an option, it is still not considered as the most viable and pragmatic choice in terms of a degree/discipline in the future. Thus, I hear echoes of sentiments expressed here when I read Allen’s father’s claims that:
I expect you to be a respectable citizen, not an artist, and that means you’ll have to earn a living! Artists are lazy and scruffy people – they are not respectable. (p. 9)
Or his grandmother’s:
“Drawing again!” she would say. “”You’ll never amount to anything!”
She sounded just like my father, who believed artists were unrespectable. (p. 15)
Allen is fortunate to have been able to choose and find a family in Noro Shinpei who has nurtured him, given him a playground with their weekly newspaper cartoons, and even provided him with his first (and probably highly expensive) artist tools. Not many are as blessed to have found such a mentor who is able to balance both discipline, craftsmanship, and a different way of perceiving the world. I was also struck with how Noro Shinpei described painting and writing:
“With Van Gogh, each brushstroke is like a word in a book. Painting is a kind of writing, and writing is a kind of painting – they are both about seeing.” – p. 46
Allen Say’s fondness for his mother likewise shines through in the narrative, and I am particularly taken with his mother’s acceptance of his choices in life:
“You’ve always drawn, son, and I think I’v learned a lesson from the old saying, ‘Let your dear child journey.'” (p. 35)
What it means to be an artist. My heart was filled as I was reading through Allen Say’s struggles as a young boy. My research focus at the moment is documenting the psychology of young artists in training and esteemed artists who are now considered eminent and experts in their fields. To say that I have a special affinity for artists would be an understatement. As I was reading through the memoir and cringing at how artists were (and perhaps even until now, some still continue to be) misperceived and misunderstood, I begin to ask BIG questions such as: What exactly does it mean to be an artist? Who is the artist? Even among experts in the field, there is much disagreement and way too many theoretical frameworks and paradigms to choose from.
Putting aside academic ruminations, what struck me in this particular book is Allen Say’s artistry as reflected in his courage and graciousness. His courage in sharing with us a fragment, a snippet really, from his life history; courage in pursuing a path deemed as unsavory and even disreputable by his loved ones; and graciousness in his seemingly-limitless understanding of things as they are, have been, and should be.
While this book touches on the war between Japan and America (with American forces occupying Japan on Allen’s 8th birthday, year 1945) – it also allows us a glimpse of the more tragic and emotion-laden war between Allen’s parents (who eventually separated), and his living independently in a one-room apartment at twelve years of age so he can be a “serious student.” While the details were not overly-drawn out and exhaustive, it gives the reader a feeling of completeness in this selected narrative, a quiet closure, and gentle (almost peaceful, really) recollections of what must have been turbulent times – but now rendered here in a straightforward matter-of-fact way. I wanted to include this book as part of the Immigrant Stories Reading Challenge, but I realized that it does not include Allen Say’s realities when he moved to America – which, in and of itself, could be a great theme for another book project! This book is definitely a must-read for children of all ages as it appeals to the awe-inspired child in each one of us.
Drawing from Memory by Allen Say. Scholastic Press, New York. 2011. Book borrowed from the community library.
AWB Reading Challenge Update: 52 (35)
Nonfiction Picture Book Challenge 2012: 17 (12)
PictureBook Challenge 2012: 58 of 120
PoC Reading Challenge Update: 16 of 25